Symposium Abstracts

'Well Assorted to Character and Circumstances': Giovanni Gallini’s Notion of Mise en scène

Expressing the Most Secret Vibrations of the Soul: Viganò’s Coreodramma in Focus

So Revealing: Ballerinas on Antebellum U.S. Stages

Dancing Sailors and their Costumes on the London Stage

Of Mountain Ghosts and Waltzing Spirits: Dancing in Louis Spohr’s Romantic Opera Der Berggeist (1824)

The Circulating Waltz

Here Today, Gone Tomorrow (until next week): The Curious Life of Mr Christopher Towle, Dancing-Master

 Dance in Ireland during the Colonial Era: An Absence of Dominion

Country Characters in 18-Century Pantomime Ballets: From the Grotesque Genre to a more Noble Approach

The Presence of Villano Dance in Spanish Historical Sources

Dancing: Town and Country Characters in 17th-Century French Court Ballet

Images of Philip Astley and the Amphitheatre: Equestrian Dance and London’s Illegitimate Theatre