Symposium Abstracts

Lambranzi's Scenography in 1716

Synesthesia-effects Through Natural Impressions and Spectacle in the Open-air Performance of the Opéra-ballet 'Les Quatre Saisons', Dresden 1719

Dancing at the V&A

What Colour is White?

Pinning Down Cupid: The Anacreontic Ballet, 1790-1815

Reconstructing the Stage at La Salle des Machines in Les Tuileries for 'La Grande Tragédie d'Hercule Amoureux et le ballet royal dansé par leurs Maiestés entre les actes' (Cavalli-Lully, 1662) and 'Psyché, tragédie-ballet' (Molière-Lully, 1671)

Pictures of Pagan Russia in the 1880s

Poitrines et Pantalons: Dressing for Resistance

Relations Between Costume, Character and Dance Styles in the Eighteenth Century

Simple Dress or Gew-Gaws and Tinsel?

'"The Opera Rat": Costume and Representation of a Physiology of Theatres in the Nineteenth Century'

Dancing 'a La Grecque' at the King's Theatre 1781-1830 - from Simonet's Medea to Taglioni's Flore. Part I; The Heroic