Symposium Abstracts

The Diary of the Munich Dancer Michael Johann Laroche (1805-1870)

Actors, Dancers, Attitudes: In Search of Common Ground

Reading Taubert: References to his Published Writing on Dance, 1728-2019

Meanings Made with Dancing in La Motte and Campra's 'L'Europe galante': What can Reading Dancing, and an Affect Model, Offer to Analysis?

'"'Tis not enough that ev'ry Stander-by, No glaring Errors in your Steps can 'spy:" From 'Reading the Page' to 'Reading the Dance''

'Dancing Words'? Mimetic Dance and its Text-interpretive Function

"It's an S, It's a Z, It's... an L!": The Extra-ordinary 'Menuet ordinaire'

Adapting Lully for the London Stage: Reading a Chaconne of 1698

Reading is Imagining: Dance Instructions for Sir Roger de Coverley and Perception of Space, Self, and Movement

The Musician and the Dance: The Musical Interpretation of the Dance Using Playford's 'The Dancing Master'

Pantomime in Diderot's Drama

French Court Ballet Festival Reports: Or How to Kindle the Imagination of the Reader